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To the casual passer-by, Irla’s richly painted portraits of Native American women are often mistaken for photographs or
photo-realism, however, her technique would more aptly be categorized as realism flourished with tenebrism. Irla views creating an
exact duplicate, as with photo-realism, “a bit too mechanistic”. By contrast, her style of realism and stated end goal
is “to create art” – the locus of which is to “capture the spirit and focus of the subject matter.” After testing a
variety of painting techniques, Irla found the techniques of the Old Masters, such as those employed by Caravaggio, most suited to her natural style, as
well as for the end result of creating illuminated flesh tones. She cites Caravaggio as being most influential toward the development of her
own method, which is a combining of dramatic illumination and old masters technique. More about... |
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Terms: you may link to this site at will, however we remind our visitors that all material (text, artwork, photo's & images) on this site are copyrighted
by Sharon Irla, therefore the duplication and/or copying of materials on these pages is prohibited except with the expressed written permission of
Sharon Irla and/or her heirs. |
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www.sharonirla.com · Tahlequah, Oklahoma
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